Some art belongs in museums. Some is best hung in galleries. Some art, though, isn’t so limited. Some art can go just about anywhere. And, with her bright color palette, her penchant for pattern and her eye for opportunity, Lulie Martin Wallace ’09 can go anywhere she wants. by Alicia Lutz ’98 photography: Diana Deaver

Some playwrights wait a lifetime (or longer) to see their work performed. After graduating with a theatre degree this past May, Edward Precht ’14 waited just four months to see his play Bread and Circus go live. In November, the College’s Theatre and Dance Department presented his play, which was the winner of the David

“Legacy just means old,” assistant Professor of Computer Science James Bowring ’00 says in his sunlit office overlooking the Charleston Harbor in the College’s new space at Harbor Walk. It’s the office he was packing to move into when he stumbled upon a September 1965 article in Computers and Automation magazine featuring a piece of

New buildings go up, faculty members retire, generations of students come and go, but some things never change: the charm and enchantment of the Cistern Yard, the striking stateliness of Randolph Hall and, of course, the College’s curious knack for throwing a good party. A Charleston Affair – the College’s annual gala celebrating seniors and

Carefully arranged on an end table just below a window in the office of President Glenn McConnell ’69, a small gold medal about the size of a penny glistens in the late afternoon sun. McConnell picks up the medal. It is attached to one end of a pocketwatch chain that belonged to McConnell’s grandfather. Both

She is here for the men. She makes that unmistakably clear. She goes straight in and makes her move without hesitation. And her approach works: She’s already scored numbers from five eligible bachelors – all of them unabashedly intrigued by what she has to offer. She’s straightforward, unapologetic and confident. And she’s starting to get

She didn’t think they’d go for it. The concept was too out there, too abstract, too risky. Perhaps the short film that Megan Gural Oepen ’00 had pitched would be a better fit for some hip, edgy startup. But the client for this job was Chick-fil-A, a stalwart of American business known for its traditional

Forgive Jessica Farrell ’08 if her work makes her hungry. As a corporate archivist for McDonald’s, Farrell spends her days sorting through all sorts of documents, television commercials and historical artifacts related to the Golden Arches, helping catalog the paraphernalia in climate-controlled storage and answer questions from colleagues. Questions like: How much lettuce was placed

Eight-year-old Laura Funk Zucker ’06 (M.A.T.) turned around to see her parents, but the door to the hallway where they’d just kissed her goodbye was closed. She looked around in a panic. Who are these people? Why aren’t they talking to me? Where is my doctor? Why is this stranger holding a mask to my